September-October 2001
Vol. 27 No. 5
Departments
Endangered Should the Guthrie Theater be saved? A look at the architectural history, preservation passions, cultural relevance and performance memories fueling the debate By Robert Roscoe
Interview Furthering St. Pauls reconnection with the Mississippi River is the charge of Tim Griffin, AIA, first director of the citys Design Center By Camille LeFevre
Technology Despite communication technologies that promised otherwise, the paperless office is still a myth By Phillip Glenn Koski, AIA
Practice Benchmarking is common practice among architects whose clients see the comparative process as a way to acquire a strategic business advantage J. Trout Lowen
Talking Point How beer and sustainable design are community-building traditions By Bill Beyer, FAIA
Lost Minnesota John S. Bradstreet Crafthouse, Minneapolis By Jack El-Hai
Features
The Evolving American Office Since the 1900s, the office has been a microcosm of American social transformation and a yardstick of cultural progress By Donald Albrecht and Chrysanthe B. Broikos
Model Village Walsh Bishop creates a vibrant "Information City" that reflects BORNs high-tech collaborative culture and desire for high-touch comfort By Joel Hoekstra
Back on Track Leonard Parker Associates revitalizes a derelict train-engine repair house next to the Mississippi River into a home for Riley Hayes Advertising By Camille LeFevre
Good Growing Krech, OBrien, Mueller & Wass designs a new facility that triples Gerten Greenhouses business By Camille LeFevre
Flight Club Architectural Alliance enhances hospitality and hoteling at Northwest Airliness prototype WorldClub By Camille LeFevre
Collegiate Renewal Carlsen & Frank renews two beloved academic halls on the University of Minnesotas St. Paul campus By Joel Hoekstra
Office Places Three architects and one intern architect reflect on their offices as icon and identity, muse and memory Produced by Camille LeFevre
Cover
BORN
Architect: Walsh Bishop Associates, Minneapolis
Photographer: Don F. Wong
